![]() matter more (don't know how, but proper Steinways can be truly telepathic like that!) ![]() On Steinways, appropriate gestures from your arms, body etc. To get Kawais to generate all the possible colours, you need to also be conscious about how you depress the keys with your fingertips. What I find from a pianist's perspective as regards Kawai VS Steinway is, they require a slightly different technical approach in order to get the best sound out of them. #Schimmel piano vs steinway how toThe range of sound and colour that you can produce on this piano is very impressive, if you know how to coax them through touch. In fact, depending on how it's set up, a Shigeru can be a truly amazing instrument, period. It can be very articulate, but is also capable of making that round sound (it's easier to do this on the RX than a Shigeru though). ![]() The Shigeru range is significantly livelier in sound, although earlier models do suffer also from the lack of power in the top register. It applies also to the action, because often the keys are rather heavy to press >< It's really a piano that needs someone who knows how to set it up properly in order to get the best out of. The tone, however, can be very nice - sweet, round, singing - depending on how it's set up. ![]() On the other hand, these days I can't help but feel that the pianos throughout the RX-series range can be rather lacking in power (especially in the top register). anyway! I personally appreciate how far Kawai has gone to develop their pianos over the last many decades. These days I play on a NY Steinway for my lessons and practise on. I personally own a 2007 Kawai RX-3 and for many years played on a Shigeru SK-6 for my lessons. ![]()
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